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Grand shadows adore reaching pure black, and true to the first two film’s cinematography, crush does occur, but less so than the Blu-ray. Streetside festivals, with floats and banners, show luxurious reds, while neon signs dazzle. When primaries appear, they do so elegantly, with purity. Dolby Vision adds density to the restricted palette, giving those oranges vividness. Graded with the same amber/bronze tones as the previous two films, warmth fills the frame. This is high-end material that uses the format to its fullest. Exteriors draw out endlessly defined brick and mortar texture. Precise sharpness showcases resolution galore, facial definition impeccable even at distance. Better at resolving the fluctuating grain structure, Godfather Coda looks more natural and filmic, without digital artifacts impeding. Read our full Godfather Coda Blu-ray review for more VideoĪstonishingly detailed, Paramount’s 4K disc improves greatly on the fairly recent Blu-ray by way of texture alone. Corleone aids the church which he sees as infallible, meanwhile caught in its own scandal.” Through this, Godfather Coda wastes little, and in a way, draws some terror in how trusting people are of institutions. Trimmed by five minutes and restructuring scenes, Godfather Coda runs into its plot with immediacy. "The Godfather Coda: The Death of Michael Corleone" is a riveting tragedy that still is not quite as good as Godfather 1 and 2, but nonetheless a worthy finale to the Corleone story.“In reediting the film, Francis Ford Coppola finds a better movie in the material. While it may have taken Coppola 30 years to realize his vision, the wait was well worth it. I also came away with more respect for what Coppola had sought to accomplish with Part III: he had wanted to make an epilogue that enhanced the original films, rather than a "Part III" that would equal two of the greatest movies ever made.
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I won't give away the new ending, but I found it far more nuanced and emotionally satisfying than the much-mocked finale of the original version.
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The new cut forces us to see the world through his eyes as the disgraced Mafioso tries to salvage what is left of his family while attempting to absolve himself of his past sins. Although the original cut suffered from an uneven focus on a cluttered cast of characters, "The Godfather Coda" is absolutely Michael's story. Coppola restructures the narrative of "Part III" by placing Michael's dealings with the Vatican front and center, which clarifies the plot while making the Don's doomed quest for redemption the overarching theme of the film. Yet Coppola's new edit of the film transformed a flawed crime drama into a compelling - even moving - epic that I loved practically from beginning to end. But the convoluted plot, absence of Robert Duvall, and Sofia Coppola's underwhelming performance had long made "Part III" a frustrating viewing experience for me.Īfter watching "The Death of Michael Corleone," I was still left wondering what might have been if Duvall and Winona Ryder, the original choice to play Mary Corleone, had been able to leave their mark on the conclusion to the Godfather saga. I've always had mixed feelings about Part III: to me there was never any doubt that the cinematography, the dialogue, Andy Garcia's performance, and the operatic climax were pure gold. A few hours ago I saw Francis Ford Coppola's revised version of "The Godfather Part III." Released as "The Godfather Coda: The Death of Michael Corleone," this new cut features a different beginning and ending while running 12 minutes shorter than the original.